You’ve probably noticed that The House of Scamp favors a certain Scandinavian home furnishings store. Well, we’re remodeling our kitchen, and guess where the new cabinets are coming from? That’s right, I have 800 boxes of kitchen piled up in my living/dining room, and for the next 2-3 weeks I’ll be assembling, installing, and then playing with tile as well.

So I’m very glad that this month’s Wine Blogging Wednesday theme was chosen by Joel at Wine Life Today to be “comfort wine,” because I could really use some right now. Tearing up my kitchen is starting to have a rather profound effect on my psyche; something about chaos affecting the hearth makes my house feel less like a home and more like a take-out dumpster.

But from this destruction will arise a phoenix of a kitchen: a kitchen with more than 36 inches of counter space, with more than 5 cabinets and enough room for all of my appliances! (For the record, “all” equals 7, including the toaster, coffeemaker and blender. OK, I meant for that to seem like Not A Lot, but instead it seems like A Lot. How many appliances do you have?)

And I have my comfort wine to keep me warm in the meantime. It’s not fancy by any means, and I mean that: La Vieille Ferme Rouge is a mere Cotes du Ventoux, a blend of Grenache, Syrah, Cinsault and Carignan. It’s a friendly little table wine from the Perrin family, the makers of the iconic Beaucastel Chateauneuf-de-Pape, and I discovered it when I was in the wine business. As you can see from the label, it’s not much of an eye-catcher on the shelf, and thus it’s a well-kept secret. I’ve been drinking it for years; some vintages it’s a little lighter and sillier, some vintages it’s more intense and rich.

Dark, deep red in the glass. Nose of grape must and raspberry juice, as well as dusty earth and a hint of white pepper. Pretty structured this vintage, with brusque tannins, dark earth, cranberry and blackberry on the palate. Really, this wine would go better with barbecue or kielbasa than the turkey and dressing I frequently pair it with (it’s been a go-to Thanksgiving wine for many years now). Also, it’s less of a quaffing wine this vintage; however, it sells for about $6.99, tastes damn delicious, and really takes the edge off of a slight mis-calculation in kitchen dimensions and the subsequent gnashing of teeth.

Thanks to Lenn at Lenndevours for inventing Wine Blogging Wednesday, the wine blogosphere’s most enduring meme, and to Joel at Wine Life Today, for reminding us that wine can soothe just as much as it can excite.

Hey, you know who’s been writing haiku wine reviews since 2005? Not me. Nope; it’s none other than Lane Steinberg, at the Red Wine Haiku Review. Thanks to Amy Rootvik for the post that I finally got around to reading after another insanely hectic week.

And for the record, Joe also wrote a lovely haiku for WBW #42.  And then he was told (in haiku format) that he had missed an important aspect of haiku writing, as I did apparently, by missing the reference to a season.  I think perhaps in the writing of winehaiku, perhaps a wine descriptor word (oak, fruit, tar) should replace the kigo?

If there is someone out there writing wine reviews in sestinas, I demand that they step forward immediately.

Reviewing a wine in 7 words: it was the best of ways, it was the worst of ways.

I know that the idea behind the Wine Blogging Wednesday #42 seven word limit was meant in a whimsical way, but it got me to thinking about the words we use to talk about wine. Of course, this has been a subject on my mind lately, as evidenced by the poll I’ve been running for a week or so about whether or not winespeak makes it difficult to learn about wine.

The results to the polls indicate that while occasional words are confusing (technical words like carbonic maceration and battonage, I’m guessing), on the whole people get what we wineaux mean when we babble on about aromas and flavors. Or at least, 8 of the 13 voters said so.

I can’t blame them; some of the more technical words having to do with wine are not things that you’d natrually just pick up on the side of the etymological road.  And you won’t get a chance to use them very often, unless you have lots of wine geek friends or you work in the business.

So that’s been kicking around in my head, along with all the other maundering thoughts of recession, elections, new jobs and the old What I Should Be Doing Right Now.  And then Andrew Barrow of the British wine blog Spittoon (love that tag line) proposed that we review a wine in only seven words, I thought “Boy, that’s going to be tough.”   My reviews tend to run about 200-500 words, and the tasting notes alone run 30-80, depending on the wine.  How to truly sum up a wine for my readers in a mere seven?

Poetry to the rescue!  Mr. Rogers got me writing poetry since before I could write (I dictated to my mother); I don’t write many poems these day, but if you want to communicate a lot of sensation in few words, a poem is your magic bullet.  So I figured I’d take those shockingly few seven words and make them a haiku.  It was tough, but I was happy with the results.

So now I’m thinking… why not other poetic forms? Why not a sonnet about a wine you love dearly? A villanelle about a wine you drink often? Drinking a wine that’s so complex it seems almost impossible, try a sestina! For a rustic vin de table, a limerick?   If poetry communicates the ineffable, then it seems made for wine, as anyone talking about wine is describing a completely subjective, sensual experience.  Poetry and wine!  Game, set, match.

Smoldering pomegranate
undulates; cherries,
corseted, explode briskly.

Thanks to Spittoon for an interesting WBW review challenge!

One of the aspects of my new job as Empress of Marketing for this general contractor that I find the most pause-giving is that of the layout and design. Other than my experience on my high school newspaper, I don’t have much of a background in layout, but I feel I can muddle through there. Design, however, in its visual art component, is something that I struggle with in concept and practice. I couldn’t draw my way out of a paper bag (which would be awkward if I ever randomly morphed into that “You Know My Name Is Simon And The Things I Draw Come True” guy), and when I see some of the stuff designers come up with, I am mystified as to how they even thought that shit up.

So I might fiddle around with some ideas for the Wine Blogging Wednesday Logo Contest, but I harbor no illusions that I might actually win. I will definitely take to heart the excellent recommendations from Tom Wark as I fiddle. But you — are you good with the graphics? Worldwide fame certainly awaits you if you can create the new WBW logo. Your deadline is March 31, so you’d best get to cogitating!

I really didn’t want to get a Pinot Grigio for this month’s Wine Blogging Wednesday tasting of Friuli-Venezie Giulia whites, hosted by Fork & Bottle. I know that if they make Pinot Grigio well anywhere in Italy, it’s in Friuli, but still. There are all these other interesting white wines coming from this region, not the least of which is Tocai Friulino. I’d been reading all about them in Vino Italiano: The Regional Wines of Italy, the book we’re reading right now in our Wine Book Club. And then, two things happened.

First, I decided that my unreasoning, stubborn resistance to Pinot Grigio, even when I knew it would be well made and really interesting to drink, is unnecessary and stupid. Great wine is great wine, no matter how many people make plonk from the same grape all over the place. Second, I saw this adorable bottle with its cute little twig wrapped up in ribbon and a strong recommendation from the wine buyer at Specs. Cute, almost definitely good, and cheap? Italo Cescon Pinot Grigio Friuli Grave DOC 2006 here we come!

The twig, by the way, called a tralcetto in Italian, is attached to the bottle as a tribute to patriarch Italo’s grandmother Anna, who had a practice of keeping a bit of dead grapevine in her pocket after harvest as a remembrance of the vine’s rebirth in the spring. Or at least, that’s what the back label said.

Anyway, here goes tasting wine with one nostril tied behind my back: Read the rest of this entry »

Lovely Wine Blogging Wednesday, you are everything I ever wanted homework to be: only slightly challenging, involving some field research and ultimately delicious. Why did I pick The Bell Jar for my senior research paper, and not Petite Sirah? Thanks to host Sonadora at Wannabe Wino for a great idea for this month’s tasting, and to Lenn Thompson at Lenndevours for inventing this virtual tasting that brings the wine blogosphere together every month.

I found this Peirano Estate Vineyards “Heritage Collection” Petite Sirah 2005 at Grapevine Market, where it was one of a 6 bottle discounted case I bought, so I got it for $12.59. Tasted with carnitas on brown rice with sides of acorn squash mashed with gorgonzola and cornbread baked in a poblano cup.

Inky maroon in color. On the nose, mint is very strong, but not as strong as the waves of blueberry jam pouring off of it. There’s some coffee there at the end too, but really this is all about the minty blueberry madness. The palate presents juicy, sweet blackberry fruit, roundly passive tannins and a dark chocolate finish of medium length. This is a fairly rich wine, not flabby but certainly chubby. Read the rest of this entry »

Check out Neil the Brooklynguy’s round-up of Wine Blogging Wednesday #39, Silver Burgundy.  Neil went to every participant’s post, near as I can tell, and commented on their reviews, which I think is admirable and very classy.  Plus, they were real, insightful comments and not just “good job” – what a caring thing to do!  It was a great theme, I’m glad so many people participated.

Wine Blogging Wednesday #40 is being hosted by Sonadora of Wannabe Wino, and she’s chosen the theme of Petite Sirah or Durif.  Can’t go wrong with that grape in my book!  I’ll look for something I haven’t tried yet, maybe see if I can find a French or Australian Durif to taste against a California PS? 

Thanks to Lenn at Lennedevours for inventing Wine Blogging Wednesday, a chance for the wine blogging community to come together in spirit, if not corporeally, once a month!  Just so you know, you don’t need a wine blog to participate!  Mark your calendar, taste a wine, and write a review to email to Sonadora this December 12!  Join in — everybody’s doing it.

I got a big jump on WBW #39 this time, tasting my wine nearly immediately after the theme was announced. Except it was that fantastic Domaine Michel Cheveau Macon Solutre-Pouilly 2006 that Brooklynguy wrote up this last Friday.

Hey, that was MY wine! Why he gotta be like that?

Well, Brooklynguy is right — this wine is sick. Sick, we say in thronging chorus! And all for about $24 per bottle, in Texas at least.

Pale straw gold in color. Lush, vibrant aromas of quince, lemon, cream and a brisk steeliness. On the palate, there are hard corners of minerality, with intense flint character, as well as pear, smoke, lemon and golden delicious apples. Usually a wine inspires me to either sniff or sip repeatedly; this wine demanded both, exhaustively. The finish just didn’t stop; this is exactly what I want from a white Burgundy, but more so. Run, don’t walk, to buy it. I got mine at Vino 100 Lakeway. Read the rest of this entry »

This was an exercise in trust for me; I’ve never been a fan of Portuguese table wines, at least nothing other than Vinho Verde, which I like very much. I resolved to take this opportunity to learn a little more about a region I had pretty much written off as producing fruitless bottles of scrape-your-teeth tannic monsters. Many thanks to Catavino’s Ryan and Gabriella; their Portuguese Table Wine Cheat Sheet was great help to me! Read the rest of this entry »